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2020亞洲電影促進聯盟奈派克獎
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2020-11-08 |
奈派克，全名為「亞洲電影促進聯盟」（NETPAC, Network for Promotion of Asian Cinema），成立於一九九○年，為一推廣亞洲電影的國際組織，目前與超過三十個以上的國際影展合作，在影展中設立最佳亞洲電影奈派克獎。二○○七年起，為鼓勵亞洲新銳導演，金馬影展增設奈派克獎，舉凡當屆入選的亞洲新銳導演之長片作品，皆有機會入圍並角逐首獎。
Network for Promotion of Asian Cinema (NETPAC) is an international organization established in 1990 to promote Asian cinema. It has collaborated with over thirty international film festivals to present NETPAC Award in recognition of best Asian film. Starting from 2007, Taipei Golden Horse Film Festival has added NETPAC Award to encourage emerging Asian director; selected feature films by Asian new talent are eligible for this award.
由影癡級觀眾組成的「亞洲電影觀察團」，今年共有二十一位團員入選，他們也貢獻出他們對本屆奈派克獎入選影片的觀察文字。歡迎影迷朋友切磋交流。更多本屆亞洲電影觀察團成員請見介紹頁面。
本屆奈派克獎入選影片包括 SELECTED ENTRY：
《中峇魯俱樂部》Tiong Bahru Social Club
《南巫》The Story of Southern Islet
本屆奈派克評審 Jury：
張硯拓，影評人、〈釀電影〉主編，曾任香港電影節費比西獎、高雄電影節、女性影展評審，創辦〈釀電影〉三年多，和國內大小影展皆有深度合作；著有電影散文集〈剛剛好的時光〉，並在〈新活水〉、〈BIOS Monthly〉、〈大誌〉、〈500輯〉、〈Yahoo!電影〉等媒體撰文。
Chang Yen-tuo is a film critic and the editor-in-chief of Filmaholic from Taiwan. He was once the jury member of Kaohsiung Film Festival, Women Make Waves Film Festival, Taipei Poetry Festival and the FIPRESCI prize of Hong Kong International Film Festival.
李家驊，1978年生於台北，臺南藝術大學藝術創作與理論博士。2003年以個人生命經驗為題的《25歲，國小二年級》榮獲山形紀錄片影展亞洲單元特別賞。2014年參與了記錄318學運的《太陽，不遠》計畫，執導其中的《看不見太陽的那幾天》，作品尚有《夢想續航》。2020以《我的兒子是死刑犯》入圍金馬獎最佳紀錄片。
Lee Chia-hua is a film director. He won a Special Mention at the 2005 Yamagata International Film Festival for The Spirit of 8. His 24 Days Without Sunlight, part of the Sunflower Occupation anthology, was selected for the 2015 Yamagata International Film Festival.
陳俊蓉，曾任多屆金馬影展執行委員會影展部總監，並擔任侯季然導演《有一天》的製片。近年亦擔任過金馬獎初選、文化部短片輔導金、高雄拍等評審業務。目前為獨立策展人，參與臺灣國際人權影展的選片及策劃「孩子的電影院」等影展。
Zoë C.J.Chen worked as Programme Director in Taipei Golden Horse Film Festival from 2006 to 2012, and as Producer for 2010 Berlinale selected feature film One Day directed by Hou Chi-Jan. Starting from 2014, she functions as jury member for Golden Horse Awards, Taipei Film Festival and Domestic Film Fund from Cultural Department of Taiwan, and currently works as independent programmer.
